06/06/2026 Paradijskerk, Rotterdam
Church Music x Klankvorm
This years’ CHURCH MUSIC was created in collaboration with Klankvorm. We curated an evening shaped specifically for the church’s unique acoustic and architectural character. Four artists draw from diverse sonic traditions and experimental approaches, letting their work respond directly to the space itself.
Doors: 20:00h
Start: 20:15h
Location: Paradijskerk, Nieuwe Binnenweg 25, Rotterdam
Tickets: 8 euro / 12 euro, pay what you can
Limited free spots for Subbacultcha members
Programme:
Bernat Boronat + Christine Cornwell + Lucija Gregov + Ruben Kotkamp
Rotor – Linear Horizon
Noah Rosa
Puck Wacki
Bernat Boronat + Christine Cornwell + Lucija Gregov + Ruben Kotkamp
Following their initial collaboration for Conflux Festival 2025, Bernat Boronat, Lucija Gregov, Christine Cornwell, and Ruben Kotkamp return to work together, attuning their practice to the spatial presence of the Paradise Church. Rooted in improvisation, the group uses each artist’s individual practice as a vehicle for friction and convergence.
Rotor – Linear Horizon
Rotor is an experimental audiovisual project founded in 2017 by Rotterdam-based artists Eelco Ottenhof and Joris Strijbos. The duo explores the interplay between sound, movement, and light, creating environments that blur the boundaries between installation and performance. For this event, Rotor presents the new audiovisual performance Linear Horizon, in which image and sound come together in seamless synchronization.
Noah Rosa
Noah Rosa crafts atmospheric soundscapes that immerse the listener in an uncanny world, both ancient and futuristic. Exploring themes of environmental devastation, collective myth, and nebulous spirituality, his music is bleak yet hopeful. Improvisations are filtered through a lens of digital degradation, appearing on the other side worn and murky.
Puck Wacki
Puck Wacki is an interdisciplinary artist and musician based in Rotterdam, active in Rotterdam and The Hague. In her performances Wacki dissects and manipulates machines to explore and redefine their meaning by placing them in new contexts. These performances operate at the intersection of sound art, experimental music, and installation, revealing the tension between the technical and the musical.
